Contents

The Audio Collection (in words :-) - Page 7

20th October 1998
Picture Gallery
MPEG Collection
Audio Collection

  The words to the audio clips... Stuff (in brackets) are the comments of whoever else might be in the clip with Melanie. Italicised comments are mine...

Jo Whiley Show

The Artist Formerly Known As...
(Mel B interviewed him) yeah (did she give you any inside gossip?) Well, we were lucky enough to meet him actually, he came to one of our shows and, err, we were all a bit nervous about him coming back because, like, we offered him a drink and he's just like... [shakes head] ...it's like, oh. (So he was as wierd as you) he doesn't even drink, you know. But, erm, Melanie was telling us, while she was interviewing him, he wasn't actually wearing any underwear, so (this was evident?) this was quite evident, and she, like, couldn't quite, you know, take her eyes away from it... He's small in some ways but not in others, I guess.

Quite a lot about Geri...
(Did you ever consider replacing Geri though, when she left?) Never (never had a conversation with the group saying) never (like, what shall we do?) It'd be so difficult because we're so close knit, d'you know what I mean, and for someone else to come into that environment, for them it'd be so difficult 'cause I think you'd be a bit like, ooh, you know.
(When she left and you were having to do performances on your own, did that feel really strange, like?) It did at first (you know, like your right leg's fallen off or something) we had two, yeah, we had two gigs left in Europe without her, and then we had a bit of a break. But then, like, the first two gigs it was just so strange 'cause, like, so many times I'd like turn around and, like, we'd interact, you know, on bits and she'd be next to me or whatever, and it was like she's just not there, and you felt like, you know, you had a limb missing, it really was like that. But then when we'd like, you know, re-rehearsed, had a week off, whatever, went off to America, it felt like she'd never been there in the first place. (That's terrible) It's really strange, it feels like, you know, she's, you know, a mate from way back, but it feels like she was never in the band.
(Do you see her, are you still in touch with her?) I haven't seen her, 'cause like I've been back for about a fortnight now, like, from America, so I've not seen her. But she's busy isn't she. (Have your paths just completely separated and you doubt very much whether you'll be seeing her socially or anything) Yeah, I mean, socially I probably wouldn't see her anyway, but, erm, maybe through work. But I mean, we're still in touch, you know. She wrote me a letter the other day (what did she say?) don't be nosy! (was it just a matey letter or what?) yeah, it was just like, hi, you know, hope things are alright and stuff (yeah), that's it.
(Why did she not go to Mel B's wedding, 'cause that is bound to make people think) She didn't actually go to Mel's wedding because she was in America, 'cause she was doing, erm, some awards (yeah) some awards, what was it (MTV I think it was), you know, some awards, the MTV awards (yeah) so she wasn't in the country (OK, so she probably had an invitation but she couldn't make it?) Nobody had an invitation, it was hush-hush!

E17's new single
I think, very dangerous calling themselves E 17 after their Brian Harvey thing (mmm). When I first heard that they were making, you know, coming back, I thought, oh yeah, nice one, so long as the music's good, you know what I mean, erm (yeah) I hope they do well. But then I just thought it was a bit bland (so what did you think of the music, a bit too bland?) yeah. I thought, if that's the first single off your album that's a bit of a shame, 'cause like, you'd wanna, you wanna have some impact, wouldn't you, but erm, I mean that was (sounds very American, very much like Boys 2 Men don't you think?) mmm yeah. I think he's got a good voice, I like his voice, you know, it's really R'n'B, but it's not my cup of tea anyway, that kind of music.

Music for funerals
(Mel, what tune would you want played as the final curtain falls?) Erm, I quite like the idea of having something nice and jolly, but erm, I dunno, immediately when asked that question I just thought of Imagine by John Lennon, and I don't know why, but that's like really freaky innit (kinda poignant, isn't it?) 'cause like, well all your family are sitting there, and he's singing "imagine there's no heaven..."

Melanie "Whamette" C
(So shall we ask Mel what she thinks of Culture Club? I think we should...) Never liked Culture Club, never liked Duran Duran, 'cause I was a complete Whamette (right) so it was like, they were (is this peer pressure?) erm (like everyone liked Wham) I think it was, you don't realise, 'cause I mean I must have been quite young at the time, I think I was in like junior school, so how much you're influenced by, even then, like by the media. And I didn't realise then, 'cause it was either, why couldn't you just like both? Like now, I listen to the old Duran Duran stuff and I think, you know, great pop songs, but then it was, no, can't listen to that...

Coping with the pressure
(For the Spice Girls, because there is such a pressure on you to be holier than thou, and kind of not swear on stage, particularly, and to live this good life) emm, I'm just, I mean, I'm just back off tour, d'you know what you were talking about before (yeah) trying to find something to fulfil that gap, and that's what I think all four of us are coming to terms with now, and it is really really difficult. You know, I'm not saying I'm going to turn to drugs or anything, but just to get back, to be living a semi-normal life, you know, sleeping in your own bed, making your own breakfast. (How does it feel then, the first couple of days when you come off tour?) It's strange, I'm still going through it, it's like, phooo, it's like you're up and down all the time. (But do you get like a depression?) Yeah, definitely, it's really really difficult. (And how do you deal with it?) You just have to get on with it. Being busy is the best thing, and looking forward and moving on, 'cause like it's, you know, it's exciting to be getting new material together, so...

New audiences...
(Mel, do you think music's just become far too morose and kind of wallowing in misery for it's own good?) There's room for everything, isn't there, I think, you know, there's always been that side of things. But I mean, look at all the, all the pop that's going on as well, it's just all so jolly. But you know, there's a lot of exciting things going on for kids, 'cause obviously they're the people who are buying it, aren't they.
(Do you feel like you're leaving that, leaving the kids behind, or do you want to leave the kids behind and move onto a more mature audience?) I do feel like I do want an older audience, I do feel that. I do find it quite frustrating actually, that you know, you've got this sell-out gig and then you look, and not, not to, you know, be ungrateful for all the support that we get, but you know, you're giving it loads and you look out there and like, some of the kids are asleep, and you think, huh (you're not appreciating what we're doing) it is quite frustrating.

<<< Back